Modernist Fiction from Sin to Art

Abstract

The article highlights the influence of the novelists and philosophers of the late nineteenth and early twentieth centuries on the emerging and development of the modern novel as a free and outstanding form of literature, and what is more – as a form of art. The paper points out the impact of such names as Henry James, Virginia Woolf, Joseph Conrad, Arnold Bennett and Malcolm Bradbury, personalities that sought to change the status of the novel through their works. Due to these authors there appeared and flourished the tradition that we now name the “modern” novel. By the turn of the century, the novel was shifting to art; it was becoming a more interesting and more influential form of literature; it was aspiring to become a far more complex, various, open and self-conscious form, one which, in a new way, sought to be taken seriously as “art”.