Angelic and Crepuscular in Alexandru Sever’s Drama

Abstract

The illustration of a world, apparently drifting, the (de)mystification of the transcendent and of the act of creation, as idea and textual strategy, seem to Alexandru Sever (1921-2010) a means for another beginning. The impossibility of action in Înger bătrîn/ The Old Angel (1977) and the pact-making in Îngerul slut/ The Miscreated Angel (1982), imply metamorphosis in essence, supported by the dialogue
with the great texts of the world, by intertextuality (the biblical text, Shakespeare's texts -Hamlet -Yorick, texts written by Göethe, Beckett, Marlowe, Dostoevsky, J. P. Sartre, Mikhail Bulgakov and others). The projection of Auschwitz, as a Siberia of the spirit, and that of Faustianism, result in a detailed analysis of the human, both as individuality and as community, in an attempt to illustrate the (in)intelligible inaction, death involving catharsis in the mundane and the theatre alike.