Motetul Sitivit anima mea de G. P. da Palestrina (1525-1594) Analiză muzicală

Abstract

This investigation analyses from morphlogical and synthetical point of view the motet Sitivit anima mea composed by Giovanni Pierluigi da Palestrina, a composer belonged to Renaissance. The motet is the continuation (second part) of the well known creation Sicut cervus of the same composer. His intention is that one, to descompose musical contruction of the motet and to discover the way of organization of the sound material.
The basic element which goes to form the motet, starts from the textual phrase which contribute to achieve musical phrase. The connection between the sentences takes place about ordinary musical note of the two acords which separates the musical segments. The way of construction of this musical forms is generally speaking the same for all works of the composer.