Principles in Contemporary Improv Theatre

  • Dragoș MUSCALU Dunarea de Jos University of Galati, Romania
Keywords: Improv, Keith Johnstone, Viola Spolin, Del Close, “Yes, and…”

Abstract

This article explores the foundational principles of contemporary improvisational theatre, focusing on the methods of Keith Johnstone, Viola Spolin, and Del Close. It examines the evolution of improv in Romania and
its impact on actors and audiences. Key principles such as status play, "Yes, and...", "Follow the Fear," and the "Group Mind" are discussed in the context of enhancing spontaneity, creativity, and collaboration in performances. The article also highlights how improv training fosters adaptability, deep listening, and authentic expression, making it a vital practice for all actors. By integrating these principles, improvisers can push the boundaries of theatre, creating dynamic and engaging performances that resonate with
modern audiences.

Published
2025-05-19
Section
Teatru