Schimbarea de perspectivă în dramaturgia postbelică sub presiunea comunistă

Abstract

The spread of the socialist propaganda towards the substance of the post –war drama world solicited the mobilisation of an entire scaffolding in order to avoid its reflexion back, without the protrusion of the desired environment to be submitted. Started from the Bolshevik Russia, looking to preserve the spread speed in our case, the ideological waves had to become members of the same plan through an unitary index of refraction. Thus, the socialist ideology, like in a prism, is separated in more rays, some which risked to unveil the dark face, being stopped in the black body of the self- censorship. Like through a lens system, the ideological beams considered valid, with the support of the plenary , congresses, magazines etc. were directed, amplified and propagated in order to reach the playwrights, who, at their turn, become “lens” for their readership. At this collectivity, has the beautified image reached, filtered appropriately to the desires of the Communism, trough a suite of mirrors and lens, like in a complex telescope which had to come closer to the two worlds, so different: The Communism and the drama. The analysis of this phenomenon, revealed by the press of that time is the aim of the present study.