Structuri tematice în proza poetică a Magdei Isanos

Abstract

According to Elizabeth Isanos, Magda Isanos has written many short prose texts but have scattered during the difficult journeys between Iasi, Costiujeni and Bucharest. Many of them stayed in Costiujeni, the first refuge in Bessarabia, when the family went hurriedly, without luggage and without the notebooks of Magda Isanos. Other sketches were lost in March 1944, due to an explosion that took place in the courtyard of the house. The existing texts show the poet's predisposition for the lyrical-epic presentation, which is left unattended in the given genre. Agitated by war, regime changes, and people's brutality, time was not enduring with Magda Isanos, throwing her from one place to another, leaving her the opportunity to write prose, asking for peace and quiet. The first works, Puzzles and Inseparable, reconstruct high school scenes from a moral-affective angle. The others, published after a few years in the Iaşi press, include impressions, fairy fragments and moral statements. The Magistrata text, published in 1938, is certainly a form of the woman's work in our literature with which Magda Isanos attended the conference in 1934. The poet promotes the emancipation of the woman, believing it to be natural. After her death, she was made known short short prose with common characters: Naiada, Miss Vanda, Toto and Man with red boots. There are essays that show Magda Isanos's preference for mystical subjects, with bizarre, lonely characters with situations in a small city. The mirror gate is an unpainted text, probably written during the Iasi period. Between 1934 and 1937, it is an exceptional essay about refuge in the unreal, about the force of attraction of fiction and the need to complete in the spiritual.