Romanele Doinei Ruști reflectate în oglinzile „anamorfotice” ale criticii literare

Abstract

After 1990, Romanian literature, especially prose, faces the sudden feeling of freedom and thus becomes a literature connected to the real, sensitive to the social and political transformations, refractory to everything that had been, during the communist period, espionism, esopism, writing among the lines, and more than that, refractory to aesthetics, to the retreat in the "ivory tower". If, with regard to the story of the eighth-century writers in post-communism, we can talk about a certain continuity of themes, obsessions, narrative lines, in the twenties we have to do with the deliberate, programmatic, vehement, even - rupture, discontinuity in relation to the literature practiced by previous literary generations. In the landscape of the two-march prose, there is also the prominent Doina Rusti who is able to charm the lecturer with her unique style.
Writer Doina Rusti is hard to fit in a literary direction, into a biological or creative generation and possesses a special aesthetic formula. She has created the reputation of an atypical author from all points of view.