Nom, objet et leur seuil poétique. (Peut-on les amener au théâtre ?)

Abstract

A direct experience of Real, which reveals items and words in their mechanic, is to create
simultaneously objects and a language folded around the liberty of its new objects; it is, at the same time, a
denial of the existence of ordinary (what is considered ordinary is nothing than poetical concatenations out of
the practical reality; any mechanic, on a closer look, looks hallucinatory.) and of absurd (as an historical
dependence, a way of functioning according to institution and meaning), by means of poetic (solidarity in
difference) and dramatic (solidarity in opposition). On the threshold between distinct or opposed objects/names
is developed the speech in Eugen Ionescu’s plays.