Izomorfismele tematice și particularitățile liricii lui Adrian Păunescu

Abstract

The study highlights the thematic isomorphisms and particularities of Adrian Păunescuʼs lyrics, integrating his poetic creation in the context of the 1960s generation and correlating the immanentist reading with the thematic perspective. Păunescuʼs poetry, written for public reading, generates a strong collective emotion, and the dynamics of meaning are produced through the ”internal game” of language, through the interaction between forms, rhythms and rhetorical strategies. The study follows the constitution of the poetic voice as a process of transfiguration of the biographical into lyrical matter, observing the transition from the prolix style to the poetry of the grandiose, through the amplification of rhetorical spectacle and the
orchestration of refrains. The thematic analysis highlights a series of recurring structures, interpreted as isomorphisms: eros, the founding affective energy; nature, often invested with an
erotogonic dimension; and the family panopticon, a compensatory space marked by the trauma of loss and the attempt to symbolically recover absence. On a complementary level, History functions as a chronological reference and matrix of meaning, generating both utopian projections and discourses with social stakes, mobilizing or interrogative.
By articulating themes, motifs and images in coherent networks, distinct poetic portraits and an „identity geography” result, which ensure the unity of Paunescuʼs lyrics beyond stylistic and period variations.